{"id":16075,"date":"2021-12-13T23:32:18","date_gmt":"2021-12-13T23:32:18","guid":{"rendered":"https:\/\/blue-subtitle.com\/blog\/?p=16075"},"modified":"2021-12-13T23:32:18","modified_gmt":"2021-12-13T23:32:18","slug":"china-box-office-schemes-in-antiques-conspires-to-hold-top-spot","status":"publish","type":"post","link":"https:\/\/blue-subtitle.com\/blog\/china-box-office-schemes-in-antiques-conspires-to-hold-top-spot\/","title":{"rendered":"China Box Office: \u2018Schemes in Antiques\u2019 Conspires to Hold Top Spot"},"content":{"rendered":"<p style=\"text-align: left;\">Chinese action-adventure title \u201cSchemes in Antiques\u201d conspired to hold its own at the top of the\u00a0China\u00a0box office\u00a0with a $14.7 million second weekend, having opened first last week with a solid $25.6 million three-day debut.<\/p>\n<p style=\"text-align: left;\">Originally set to premiere in April, the tale of intrigue around real and counterfeit artifacts from Hong Kong director Derek Kwok Chi-kin (\u201cWukong\u201d) has now grossed $52 million (RMB331 million) of a projected $66.6 million, according to data from Maoyan. Produced by Hong Kong-based Emperor Motion Pictures, it stars fan favorite Ge You alongside Lei Jiayin, Li Xian, and Xin Zhilei.<\/p>\n<p style=\"text-align: left;\">\u201cSchemes\u201d maneuvered ahead of second place comedic thriller \u201cBe Somebody,\u201d which grossed a further $9.85 million in its fifth weekend to bring its current cume up to $133 million.<\/p>\n<p style=\"text-align: left;\">\n<div id=\"adm-inline-article-ad-1\" class=\"admz\">\n<div class=\"adma boomerang\" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\">\n<div id=\"gpt-variety-article-mid-article-uid0\" class=\"adw-300 adh-250\" data-is-adhesion-ad=\"\" data-google-query-id=\"CPXZudb34fQCFQatdwodu-8F-w\">\n<p style=\"text-align: left;\">Once again this week, a new rom-com took third: a film whose Chinese name translates to \u201cWe Who Have Loved Before.\u201d The tear-jerking first feature from newcomer Zhang Xiaolei grossed $3.55 million, far less than first and second place.<\/p>\n<p style=\"text-align: left;\">That the top three films of the weekend look so very much like they did last week \u2014 the fresher \u201cSchemes,\u201d followed by \u201cBe Somebody\u201d and a $3 million debut of an innocuous, flash-in-the-pan rom-com trailing far behind \u2014 is an indication of how stagnant China\u2019s release schedule is at the moment without new major blockbuster releases.<\/p>\n<p style=\"text-align: left;\">Viewers were thirsty enough for new content that the upcoming animation \u201cI Am What I Am\u201d came in third off pre-sales, ahead of largely-exhausted war epic \u201cThe Battle at Lake Changjin,\u201d which has been in theaters for 72 days since September. The former is set to release Dec. 17, but already grossed $2.33 million this weekend.<\/p>\n<p style=\"text-align: left;\">Directed by Wuhan native Sun Haipeng (\u201cKung Food\u201d), the boldly colored tale tells the story of a young boy and his rag-tag band of companions who dream of winning the country\u2019s biggest lion dance competition with the help of a former star dancer.<\/p>\n<p style=\"text-align: left;\">This week, \u201cBattle\u201d earned a further $1.44 million, bringing its cume up to $903 million.<\/p>\n<p style=\"text-align: left;\">Meanwhile, \u201cOh! My Gran\u201d \u2014 the first Korean film to be released in China in six years \u2014 continues to fare poorly, with hardly any allotted screenings (an average of 0.4% of total nationwide screenings each day). It has grossed just $394,000 (RMB2.5 million) so far since its Dec. 3. debut, and currently ranks outside the top 20 films at the box office.<\/p>\n<div class=\"article-tags \/\/ a-children-icon-bullet lrv-u-font-family-primary u-letter-spacing-012 lrv-u-line-height-large lrv-u-color-brand-primary\" style=\"text-align: left;\">Source:variety<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Chinese action-adventure title \u201cSchemes in Antiques\u201d conspired to hold its own at the top of the\u00a0China\u00a0box office\u00a0with a $14.7 million second weekend, having opened first last week with a solid $25.6 million three-day debut. Originally set to premiere in April, the tale of intrigue around real and counterfeit artifacts from Hong Kong director Derek Kwok [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16077,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7036],"tags":[18615,18617,18616],"class_list":["post-16075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-china-box-office","tag-schemes-in-antiques","tag-schemes-in-antiques-conspires-to-hold-top-spot"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>China Box Office: \u2018Schemes in Antiques\u2019 Conspires to Hold Top Spot - blue subtitle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blue-subtitle.com\/blog\/china-box-office-schemes-in-antiques-conspires-to-hold-top-spot\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"China Box Office: \u2018Schemes in Antiques\u2019 Conspires to Hold Top Spot - blue subtitle\" \/>\n<meta property=\"og:description\" content=\"Chinese action-adventure title \u201cSchemes in Antiques\u201d conspired to hold its own at the top of the\u00a0China\u00a0box office\u00a0with a $14.7 million second weekend, having opened first last week with a solid $25.6 million three-day debut. 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