{"id":14157,"date":"2021-11-12T02:39:29","date_gmt":"2021-11-11T23:09:29","guid":{"rendered":"https:\/\/blue-subtitle.com\/blog\/?p=14157"},"modified":"2021-11-12T02:39:29","modified_gmt":"2021-11-11T23:09:29","slug":"lightdox-boards-idfa-luminous-title-museum-of-the-revolution-exclusive","status":"publish","type":"post","link":"https:\/\/blue-subtitle.com\/blog\/lightdox-boards-idfa-luminous-title-museum-of-the-revolution-exclusive\/","title":{"rendered":"Lightdox Boards IDFA Luminous Title \u2018Museum of the Revolution\u2019 (EXCLUSIVE)"},"content":{"rendered":"

Swiss sales outfit\u00a0Lightdox\u00a0has acquired \u201cMuseum of the Revolution,\u201d the feature debut of U.S.-based, Serbian director Sr\u0111an Ke\u010da, ahead of its world premiere in\u00a0IDFA\u2019s Luminous strand,\u00a0Variety<\/em>\u00a0has learned.<\/p>\n

The documentary is set in Belgrade, where, in 1961, there were plans to build a grand museum as a tribute to Socialist Yugoslavia. Meant to \u201csafeguard the truth\u201d about the Yugoslav people, the plan never got beyond the construction of the basement. The derelict building now tells a very different story from the one envisioned by its initiators 60 years ago. In the damp, pitch-dark space live the outcasts of a society reshaped by capitalism. In detail, \u201cMuseum of the Revolution\u201d follows a girl who earns cash by cleaning car windows with her mother. Meanwhile, the child develops a close friendship with an old woman who also lives in the basement. Against the background of a transforming city, the three women find refuge in each other.<\/p>\n

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Commenting on the acquisition, Lightdox\u2019s CEO and co-founder Anna Berthollet, told\u00a0Variety<\/em>: \u201cWe feel so happy and genuinely privileged to come on board and defend this stunning piece of cinematic art from a team we deeply admire. Sr\u0111an Ke\u010da\u2019s \u2018Museum of the Revolution\u2019 is a masterful look at society and the failed promises of capitalism, while also being an intimate portrait of the people left on the margins.\u201d<\/p>\n

Ke\u010da added: \u201cThis film was born of a desire to tell a parable about life inside a structure built of aborted dreams. To me, this has been the core experience of post-Yugoslav societies, fast-tracked into capitalism and staggering levels of inequality. The film focuses on those left most vulnerable by this process, and finds them in the darkness of a space that sets off the story\u2019s allegorical layer. From there, I wanted to see how far I could push a character-based observational documentary into becoming an essay film, while keeping the core qualities of both forms intact.\u201d<\/p>\n

\u201cMuseum of the Revolution\u201d was produced by Vanja Jambrovi\u0107 for Croatia\u2019s Restart and Ke\u010da for Serbia\u2019s UZROK, in co-production with Luk\u00e1\u0161 Koke\u0161 for Czech outfit Nutprodukc. The project was also backed by the Ministry of Culture of the Republic of Serbia, Film Center Serbia, the Sundance Institute Documentary Film Program with support from Just Films\/Ford Foundation and the Open Society Foundations, the European Union\u2019s Creative MEDIA program, Croatian Radiotelevision, the Croatian Audiovisual Center, the Czech Film Fund and Geo Television.<\/p>\n

Source: variety<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Swiss sales outfit\u00a0Lightdox\u00a0has acquired \u201cMuseum of the Revolution,\u201d the feature debut of U.S.-based, Serbian director Sr\u0111an Ke\u010da, ahead of its world premiere in\u00a0IDFA\u2019s Luminous strand,\u00a0Variety\u00a0has learned. The documentary is set in Belgrade, where, in 1961, there were plans to build a grand museum as a tribute to Socialist Yugoslavia. Meant to \u201csafeguard the truth\u201d about […]<\/p>\n","protected":false},"author":1,"featured_media":14159,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7036],"tags":[8613,8614,8615],"class_list":["post-14157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-lightdox-boards","tag-luminous-title-museum","tag-museum-of-the-revolution"],"yoast_head":"\nLightdox Boards IDFA Luminous Title \u2018Museum of the Revolution\u2019 (EXCLUSIVE) - blue subtitle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blue-subtitle.com\/blog\/lightdox-boards-idfa-luminous-title-museum-of-the-revolution-exclusive\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lightdox Boards IDFA Luminous Title \u2018Museum of the Revolution\u2019 (EXCLUSIVE) - blue subtitle\" \/>\n<meta property=\"og:description\" content=\"Swiss sales outfit\u00a0Lightdox\u00a0has acquired \u201cMuseum of the Revolution,\u201d the feature debut of U.S.-based, Serbian director Sr\u0111an Ke\u010da, ahead of its world premiere in\u00a0IDFA\u2019s Luminous strand,\u00a0Variety\u00a0has learned. 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